Archive for the ‘Careers In Music’ Category

Getting the Best Performance From Your Artist

Posted by Music Careers On November - 28 - 2008

So now you’ve decided to . Good for you, except that you will need people to play the instruments for which your music calls for. If you can play all the instruments on your own, then all the better. You will have less people to argue with! Other wise, you will have to hire (read: bribe with beer/food/hockey tickets) and to play and sing for you, putting you in the producer’s chair.

Your songs are only as emotional as the performers who play them. It goes without saying that you should hire the best performers your budget will allow. But if $100/hour for a is a little steep, here are a few ways to help encourage the best from your .

1.) Always praise, never criticize.

This is THE most important rule in my book. The only way any session musician could ever get comfortable at your studio is if YOU put them at ease. That’s one of your .

When trying different versions of a take, tell them how you would like it to sound, instead of what they did wrong ie: “That was great, but let’s try to hit the high note a little stronger” instead of “you know, you were a little off on the high note, it didn’t sound that good”.

Always start with praise, then with a correction. Keep your vocabulary positive. The best producers make the artist feel as if they can do nothing wrong.

2) They Can Do Nothing Wrong

Remember this rule while you are writing or recording. There is no “wrong way”, there is only “a different way”. Don’t tell people that their way is wrong. Remember that music is an art, and there are no rules in art. When a performer is playing something you don’t like, correct them by saying “let’s try it this way too”. Don’t start off my saying “nope, you were wrong, do it the right way”.

3) Let Them See The Light

Ambiance, atmosphere, vibe: whatever you call it, they need it. I guarantee that you will get a much better performance if you have water on the table, comfortable chairs, maybe a few candles, a towel, mints, and candy. Have you ever tried recording in an office with harsh florescent lights and hard wood chairs?

4) Take Your Time

If you’re recording at your own studio, you have all the time in the world (which is an evil thing in my opinion). Let the artist relax, “get into the groove”, talk a little and get comfortable with the other people in the control room. A tense will always sound ‘artificial’ in the final song.

Don’t be worried if it takes another 10 minutes to finish the take. Each performer works at their own pace, and the best thing you can do as the producer is to respect that and adjust your pace to theirs. Unless you have a breathing down your neck. Then everyone has to work at THEIR pace!

5) Ask For Help

Artists love to be listened to. It’s always good to ask them for their opinion. Whether you actually listen is up to you. But once in a while, a simple question like “What do you think? Do you want to keep that take?” can do wonders for their performance. It helps keep them involved in the project and make them feel less like a “hired hand”.

Obviously, if it was the worse singing you’ve ever heard and they want to keep it, just mention that you will do “one more take as a safety”. And then, when they’re not looking, use the better take instead and auto-tune it to no end. This is a little producer’s secret, but don’t let the artists know!

6) Know The Words

Make sure that you, the engineer, the assistant engineer and everyone else in the control room has lyrics to all the songs. The best way for your studio team to find their way around the songs is with the lyric sheets. Another good idea is to USE THE WHITEBOARD! That’s why it’s there. If you don’t have one, get one. Write down the , , , , McDonald’s lunch orders, everything.

7) It’s MOSTLY About The Music

I’ve heard people say “it’s ALL about the music”. Well, in my books, that’s not the truth. I’d rather say “it’s mostly about the music”. Because you have to remember, it’s also about having fun, having a good time, writing and performing the best you can and above all, sharing your talent and gift with others. Try to make it less of a job, and more of a passion and you’ll find yourself doing it for the rest of your life!

Written by Richard Dolmat

Richard Dolmat is owner, engineer and producer for the Vancouver based recording studio Digital Sound Magic. Visit his site at: http://www.digitalsoundmagic.com

For more education on careers in the music industry, check out: www.Music-Career-Guide.com

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Learn a Musical Instrument, Prepare for a Career

Posted by Music Careers On November - 25 - 2008

For a , there is an additional career path that is invisible to the non-musician. This is an additional benefit beyond the pleasure of playing music, the attention it brings, and the better academic performance than students who do not . It is a broad range of extra career opportunities that non-musicians never even consider.

But if you’re a , you can apply. Let’s take a look at these careers that are available only to musicians

Education: Are you a musician who has also studied education? If so, there are numerous opportunities that may interest you:

at a college, conservatory, university; thousands of positions to apply for in both public and private colleges.

at secondary or elementary school; thousands more all over the US and the world.

; there are hundreds of thousands of private piano teachers, guitar teachers, drum teachers, etc. working for themselves in private studios and/or teaching in a music store.

; many opportunities to oversee musical programs in both public and private venues.

; thousands of schools from elementary to college; thousands of churches who use choir directors.

Therapy: Are you a musician who has also studied psychiatry? You can practice the trade of music therapy in a wide array of settings. Some of the sources of employment for are the following:

Schools

Universities

Nursing Homes

Mental health clinics; the author worked as an assistant one summer when he was in college; it was a great experience.

Correctional Facilities

Private practice

Business: Ever wonder what it takes to work in business management? Besides business smarts, an ability to talk the language of music will take you places the non-musican cannot go:

Performance: Actors are more highly valued if they have a . Today, with so few actors multi-skilled as they were in the era of the large studios, this can be a real advantage. Below are some of the jobs for which an actor who is also a musician may “incidentally” be qualified.

,

[ta

Movies / Video Games: If you study movies or video game production, a background as a musician will help you prepare for such as the following:

(to scout for music)

(to determine the mix of song elements per the conductor or producer’s specifications)

(of effects to accompany music score)

From education to video games, there are careers available for those who happen to have a background in music which the rest of us never see. Each of these fields requires time and study for proficiency, but they represent a career path that is nonexistent for non-musicians.

Sure, you already knew that playing music could improve your quality of life. Now you know it can improve the quality of your career.

Article Source: http://www.learnguitarcertified.com

For more education on careers in the music industry, check out: www.Music-Career-Guide.com

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